The villain also has spring 2

Chapter 1377 11376 Berlin Female Celebrity Visiting Group

"Ah...'Astral Node Resonance Effect'." In a daze, the legendary French actress Josephine Baker seemed to remember that one morning after a night of joy and love to death, she described protection in bits and pieces while rubbing her hair against her temples. This term was mentioned in the so-called "Pillow Talk".

"Don't forget, the spiritual core of you and me in the "Ω Small Universe" originated from the master's "Six-star demigod, divinity flowing out: the divinity flowing out of the six-star demigod can realize the mutual transformation of matter and spirit". "War girl Danielle lightly nodded her forehead.

"Exactly." You must know that the star-studded edge galaxy that Mrs. Heidi, the assistant casting director, saw with her own eyes was lit up by a new domain. The remaining few are all lit up in half of the star field. It is also commonly known as the "second half of the constellation".

In order to welcome the "Visiting Group of Berlin Female Celebrities", the set of "National Glory: The Great Battle" located in the broad-gauge proving ground of the GGL Greater Deutsche Locomotive Manufacturers Association took immediate action. Use the shortest possible time to rehearse the welcome ceremony.

With the support of the Third Reich's "unlimited funds", as a large-scale studio with "actor training", organizing a warm welcome ceremony was simply easy.

Early the next morning, as the special train of the Propaganda Department drove into the platform of the broad-gauge test site. Several famous Berlin female stars appeared together.

In addition to Hitler's mistress Eva Braun and Olga Chekhov, who were surrounded by bejeweled and glamorous female stars in the center of the crowd, several famous actresses were also standing in the back row to greet the chief casting officer. Assistant War Girl Danielle, identified one by one.

Lil Dagover.

A famous German film star born in Jakarta, Indonesia on September 1887, 9. She made her big screen debut in Fritz Lang's Harakiri, released in 30. She then starred in Wien's classic expressionist film Das Cabinet des Dr. Caligari. Except for three trips: one to Sweden in 1919 and another to France in 1927. Going to Hollywood in 1927 and 1928 - Lil Dagov spent most of her career tied to the fate of German cinema, playing heroines who were often weak and threatened. She returned to Germany in 1931, and after the Nazis came to power she continued to appear in a large number of films during the Third Reich. Although she avoided overt political activism, she performed at the Deutsches Theater in Berlin, the Salzburg Festival, and often appeared in popular period musicals and comedies. However, she won the National Actress Award in 1933 and the Iron Cross in 1937 for performing in war zones and in military camps as a "labour girl" on the Eastern Front in German-occupied Jersey and Guernsey. According to reports, she was a close friend of Adolf Hitler and one of the Führer's favorite German female stars. Lil Dagov continued her career in the German film industry after the war, playing a number of supporting roles until the late 1944s. He died in Munich on January 1970, 1980, at the age of 1.

Hilde Hildebrand.

Born on September 1897, 9 in Hanover, the famous German comedian and Berlin cabaret star. Trained as a ballet dancer and became a member of the ensemble of the National Theater (Residenz) from the age of 10. The following year, she made her debut as a theater actress. A leading performer in operas in the 16s, she also appeared in silent films. When talkies replaced silent films, it also marked a turning point in Hilde Hildebrand's career. With her classic voice and glamorous appearance, she became one of the busiest actresses in the 1920s and 30s, and joined the Nazi Party in 40. Towards the end of the war, while serving in the army in what is now the Czech Republic, she was captured, imprisoned and tortured by Soviet troops. In 1933, she was awarded the "Filmband in Gold" in recognition of her outstanding performance in German films. Died in West Berlin on April 1964, 1976. Irene von Meyendorff.

Born in 1916 in Estonia, a famous German film star from a Baltic noble family in Tallinn. In the early 1930s, Irene came to Berlin to work as an editor at the Babelsberg (UFA) film studio. The breathtaking blonde ice beauty made her an instant hit and she quickly became the most ideal German screen goddess. Her stunning beauty also attracted the covetous attention of Propaganda Minister Joseph Goebbels, but she sternly rejected it: "You (doing so) will demean me and yourself." Joseph Goebbels's infamous nickname " Bock von Babelsberg" was pioneered by Irene. Although she only played minor roles in German films after the war, Irene, who was favored by several husbands, had a rich and colorful life. Died on September 2001, 9 in Hampshire, England.

Taking a closer look at the specific members of the "Berlin Female Celebrities Visiting Group", a list that overlapped very closely with them emerged in the mind of Chief Casting Assistant War Girl Danielle.

That's right, it's the list of female stars that have been circulated in the adapted script of "Dragon Seed".

in other words. Precisely because they accompanied Hitler and his mistress Eva Braun to watch the first rough cut of "National Glory: The Great Battle" at the preview in the Grand Reception Hall of the Reich Chancellery, these female stars were very interested in it. The MGM production "Dragon Seed" is scheduled to be shot on location in the Far East by early next year at the latest, and is full of eager expectations.

In fact, MGM's cooperation with Berlin filmmakers was very close before the Nazis passed the Film Law in 1934.

For example, "Grand Hotel" released in 1932:

It depicts a group of people from different walks of life gathered in a luxurious hotel in Berlin under the shadow of the economic crisis in Germany. This 5th Academy Award for Best Picture is a masterpiece of MGM's first "all-star movie" in the early 30s. The entire film uses a luxurious hotel in Berlin as the stage of life, showing the bizarre encounters of five groups of characters on the same day. Although the narrative technique is quite satisfactory, the performances of several big stars are quite exciting, fully grasping the personalities and situations of the characters, including: a Russian ballerina facing a career crisis, a gambling baron, a terminally ill little man, and a troubled man. Bankers etc. These characters play out the joys and sorrows of life in a three-dimensional intertwined way. The plot develops smoothly. Although the scene is limited to a large hotel, the characters flow naturally. The story later appeared again in "Hotel Berlin" and "Weekend at the Waldorf" and was adapted into a popular Broadway musical.

Then the problem is coming.

To this day, the Film Law stipulates that officials must participate in the entire process from film scripts to actor selection and filming to "prevent the emergence of plot themes that are contrary to the spirit of the country at that time"; in 1936, it even stated that "showing the Jewish people" He banned film reviews entirely on the grounds of "character traits", redefined film reviews as "film observations", and became a vassal of the Propaganda Ministry's instructions; from then on, he officially became the highest-ranking producer and director of the Third Reich, even if it was only one-sixth of the total. Although one of the films contained Nazi ideology and fascist content, Joseph Goebbels, the Nazi’s No. Propaganda Minister, who had all the films shot during this period subject to official censorship, was there any reason to approve this collaboration between European and American filmmakers? What about the “co-productions” you made?