novel bin Chapter 1479 You are right, Katie
Chapter 1479 You are right, Katie
Chapter 1479 You are right, Katie
When photography technology first began, negatives were initially made of metal and later on glass. They could only take one picture at a time and could not capture continuous moving images. It was not until 1888, when Eastman Kodak invented gelatin-based film, that it became possible to capture continuous motion images, and film was subsequently invented and became a great art form.
The standard frame rate for contemporary movies is 24 frames per second, which means 24 pictures are played every second. However, the movie was not 24 frames per second at the beginning. Due to the technical limitations of early cameras and photosensitive films, the initial frame rate of the movie was only 12 frames per second, so it looked very "stuck". But instead it gradually became a hallmark and effect of early films, such as the famous Chaplin films, where this stuttering actually became part of the comedic effect. Later, with the continuous development of photography technology, the film can be sensitive and exposed faster, and the electric reel replaces the manual reel. The shooting and playback speed of the film continues to increase, and finally reaches a lower limit for the human eye to watch moving images without feeling stuck: 24 frames per second became the standard for movie playback.
To this day, more than half of the movie playback equipment in the world still operates according to this standard. At the same time, the film sizes of photos come in various specifications, which also affects the film specifications of the camera. Later, 35mm film became a standard, and most movie cameras also used it as a standard, that is, 35mm movie cameras. A standard 35mm movie camera film box (film tin box) contains 122 meters or 305 meters of film, and can shoot for about 10 minutes at most. This kind of movie camera is very heavy and can only be shot on a stand. In order to make cameras lighter and smaller, film specifications were developed into 16mm and 8mm. Movie cameras became smaller, and handheld photography began to be introduced into movie shooting, which affected the expression of movie lens language.
But it is undeniable that the advantages of film cameras are also obvious: the pictures are delicate, the colors are natural, suitable for the big screen, and the texture captured is a real movie taste. However, the shortcomings of film cameras are also very troublesome. First, the cost is very high. Film is a one-time product, cannot be used repeatedly, and is easily damaged; second, the shooting process is complicated, and the film exposure must be relatively accurate, and the focus in the early stage must be relatively accurate. And the photometry process affects the efficiency of filming and lengthens the production cycle, which also increases the cost of making movies; third, the length of a box of film is limited, and the machine must be stopped to change the film after shooting, which limits the shooting of ultra-long lenses; fourth It limits the projection scenes and equipment. To actually play movies shot on film, it can only be done on a film projector.
However. The use of color cameras is very simple. Usually, you only need to install the lens correctly, connect the signal cable, and turn on the power supply to work.
Pornographic works, which in the past could only be expressed in novels and paintings, "opened the eyes" of people in the 20th century with the help of new technologies. In 1839, Parisians invented the daguerreotype, and a month later, the first photo of a naked woman appeared on the market. During the American Civil War in 1861, soldiers writing letters home often asked their families to mail pornographic books and pornographic photos to relieve their physical pain, which led Congress to pass a law banning the sending of pornographic materials through the mail. In 1874, London police discovered 13 pornographic photos in a photographer's home...
The pornography of words and pictures also requires the blessing of imagination. With direct images, the pornography industry can be said to be "even more powerful".
So when did porn movies appear?
When movies were invented, pornographic films appeared.
1896 is considered the year of the birth of pornographic films - eight months after the invention of the camera, French director Eugène Pirou made the short film "Le Coucher de la Mariée". The film, which contains a striptease sequence by a female protagonist, is classified as a "softcore" film. The original length of the film was 8 minutes, but the final cut was less than 7 minutes. In 2, the first "hardcore" film "A l'écu d'or ou la bonne auberge" was also produced in French hands. Two years later, another hard-core pornographic film "Am Abend" was produced in Germany, in which the "doggy style" scene appeared for the first time.
In other words, whether it is a soft-porn film in which "a wet T-shirt is more sexy than a naked body" or a hard-porn film "full of nudity, bondage and sadism", from the day of its birth to World War II, it has It has been a long half century.
所以当伸手开门时被电晕的选角副导演凯蒂夫人悠悠转醒。时钟已经悄然来到了1943年11月9日，首映式晚11:07分。
The first thing you see is a TV wall made up of 5-inch E1 TVs.
事实上以650帝国马克的价格在1939年9月1日公开发售的50台5英寸E1电视机的全称是：“E1广播电视机”。整体分成左右两个部分。右边是5英寸的电视显示屏，左边是类似大小的广播接收机（收音机）。再加上必要的框架和包边，所以合起来尺寸超过了10英寸。
Every pocket TV on the spliced TV wall in front of me is the smallest 5-inch E1 TV. So there is only image, no sound.
As the line of sight gradually adapted to the dark confined space and the entire bright TV wall, the ongoing "live broadcast pictures" became clearer and clearer. Just as she guessed when she was in guest room 2. This is the filming location for a special indoor scene - the "bed scene".
All the female celebrities who are full of boiling passion and sexual tension in front of the hidden camera are "real soldiers" with live ammunition. And there is no NG (the abbreviation of the movie term Not Good, which refers to shots where actors make mistakes or laugh out loud or cannot achieve the best results during the filming process. Some also use it as a post-credits feature to attract the audience and let everyone understand the filming process. (The unknown side of China) live broadcast.
Just as the assistant casting director, Mrs. Katie, was deeply attracted by the male and female protagonists on the E1 TV set with different shooting angles on the entire TV wall, her sight was suddenly blocked by a pair of feet wearing leather hotel slippers.
Looking up from the leather hotel slippers and nylon suit socks, the "moustachioed" man wrapped in pajamas and wearing wired headphones is the real "Führer".
"Hi! Hitler." Mrs. Katie, the assistant casting director, who couldn't stand up for a while, still sat down and gave a Nazi salute.
"Shhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh," the real "head of state" made a quieter gesture: "you are right, Katie."
"Wha, what?" Mrs. Katie, the assistant casting director who was extremely nervous, didn't react at all.
"Anti-landing campaign in Sicily." The "Fuhrer" who was definitely talking about the video call he had with Mrs. Kitty at the Gestapo headquarters a few months ago.
"Ah... So this is what you are talking about." For some reason, the assistant casting director, Mrs. Katie, suddenly felt that her plot seemed to have a turning point: "Fortunately, we have a good ending."
"Ah, ha!" The expression of the genuine "Führer" was full of self-mockery: "Tell me what you think."
"About what?" As the most famous salon lady in Berlin's upper-class social circles, Mrs. Katie, the assistant casting director, seemed to have caught the Fuhrer's thoughts.
"About tonight's performance." The genuine "Führer" tapped the wired earphone on one side with the gun he had hidden in his nightgown sleeve when he raised his hand.
Obviously, the personal drama of Mrs. Katie, the assistant casting director, did not resolve the crisis.